Converting Maton Mastersound Pickups to Wide Range Humbuckers

The Creamery Maton Mastersound Pickups upgrade to Wide Range Humbuckers

The Creamery Maton Mastersound Pickups upgrade to Wide Range Humbuckers

This was an interesting upgrade. The customer got in touch saying he wanted something different from his stock pickups so after a wee chat about the kind of tones & versatility he was after, we settled on a Wide Range Humbucker style pickup for the bridge & more of a higher output, balanced single coil for the neck.

The bridge would give him more versatility, a pickup responsive to the volume & tone controls that would give him a range of sounds. The neck pickup would be balanced in output and provide a sweeter tone to the current pickup.

The Creamery Maton Mastersound Pickup upgrade to Wide Range Humbucker

The Creamery Maton Mastersound Pickup upgrade to Wide Range Humbucker

The first thing to notice when the covers are taken off, is the sheer amount of wax surrounding the coils. Wax potting needn’t be so full-on, just enough to hold everything in place. Some would argue that to fully wax-pot pickups in this style gives the pickup more of a sterile tone. I’m inclined to agree that too much wax like this can choke the pickup somewhat but I can appreciate why manufacturers do it this way.

The Creamery Maton Mastersound Pickup upgrade to Wide Range Humbucker

The Creamery Maton Mastersound Pickup upgrade to Wide Range Humbucker

The first task was to work on the bridge pickup, essentially using just the unique cover, shape & chrome casing to create a whole new pickup underneath.

The Creamery Maton Mastersound Pickup upgrade to Wide Range Humbucker - Bridge Pickup

The Creamery Maton Mastersound Pickup upgrade to Wide Range Humbucker - Bridge Pickup

One of the differences between these particular pickups and the Wide Range Humbuckers is the baseplate underneath. In the Maton Mastersounds, there’s is an internal brass baseplate that holds the coil(s) within the cover. In the Wide Range Humbucker the internal baseplate as ferrous, meaning it has a whole different effect on both the magnetic field & tone of the pickup. Somewhat akin to the ferrous baseplate underneath a standard Telecaster bridge pickup, the internal reflector plate of the Wide Range Humbucker increases the perceived output and gives the pickup that ‘spank’. In pure terms, the ferrous internal plate offers Ferromagnetic & Electrodynamic functions whilst also offering an extra layer of shielding.

The Creamery Mastersound Pickup to Wide Range Humbucker Upgrade - Bridge Pickup

The Creamery Mastersound Pickup to Wide Range Humbucker Upgrade - Bridge Pickup

The Mastersound bridge pickup here is a twin pole humbucker with 4-way wiring for a true single coil split but the customer found it lacking somewhat. What provided the challenge for this pickup upgrade is the dimensions. Maton Mastersound pickups are slimmer than a standard humbucker and longer, somewhat similar in size to a standard P90 pickup. The challenge was to make new coils to fit the unique dimensions. In this case I made new pickup bobbins to take the new coils and fit the custom threaded magnets.

The Creamery Mastersound Pickup to Wide Range Humbucker Upgrade - Custom coils

The Creamery Mastersound Pickup to Wide Range Humbucker Upgrade - Custom coils

Due to the geometry of the original pickup the coils couldn’t be wound as fat as my standard Wide Range Humbucker so I chose to mix the magnets. The three-a-side threaded magnets would remain to keep the look of the Wide Range Humbucker but the hidden magnets would be custom charged Alnico 2 magnets to give the pickup a little more warmth.

The cover was also modified to take the six poles. Usually a Wide Range Humbucker has three-a-side holes but as the original cover already had six holes down one side, the customer asked for a further six holes to be drilled so all twelve individual magnets could show through. To ensure accuracy I made a custom jig to ensure the new holes lined up.

The magnets were staggered to match the neck radius to give good string balance.

The Creamery Mastersound Pickup to Wide Range Humbucker Upgrade - Custom coils

The Creamery Mastersound Pickup to Wide Range Humbucker Upgrade - Custom coils

With the bridge pickup now completed and tested it was time to move onto the neck. Initially the idea was to create a neck pickup more along the lines of a standard Telecaster neck pickup. With a hotter output to balance the new Wide Range bridge pickup I wound the pickup and although it worked well with the new bridge; well balanced with a sweet tone, we agreed that aesthetically it just wasn’t working. Also, with the versatility of the bridge pickup design, we agreed “Why not make it a set” and so I created a new neck Wide Range Humbucker in a similar style to the bridge.

Creamery Maton Mastersound Pickups Upgrade to Wide Range Humbuckers - Final Set

Creamery Maton Mastersound Pickups Upgrade to Wide Range Humbuckers - Final Set just after wax-potting

And here’s how they look in the actual guitar:

Maton Mastersound with Custom Creamery Wide Range Humbucker Pickups

Maton Mastersound with Custom Creamery Wide Range Humbucker Pickups

Happy with the pickups, Mike the owner got back to me with this comment”

“Received, installed, and adjusted :D

Love them. Plenty of character, all three positions sound immense, and at this point I can’t choose a favourite. It sounds more refined and restrained than I was expecting, gives the neck and both pickups on positions a bit of that 50′s hollow body vibe somehow? Usually I go all out on surf-style reverb or slapback (Jaguar, Strat), but this may well be the first guitar which I prefer 100% dry, there’s a warmth there, and just the right about of bite at the top end – my other guitars do that edgy ice-pick top-end, this doesn’t, it’s smooth all the way up. The bridge pickup used to have a big too-much-output midrange ‘honk’ that is totally gone now, it’s clean and clear, and it takes overdrive and fuzz far more easily. I’m fairly certain your skills must extend to witchcraft, the difference it’s made.

And they look stunning :D

Definitely glad we went for both in the end. Most certainly worth the wait.

What’s your poison, chief?”

Yours mega gratefully,
Mike Phillips

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If you’ve got a set of pickups that need upgrading, or just want to change the pickups in your guitar, get in touch.

The Creamery – Custom Guitars, Handwound Pickups, Made in Manchester

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Converting a P90 Dogear to Soapbar style Pickup

Creamery - Converting a P90 Dogear pickup to P90 Soapbar

Converting a P90 Dogear pickup to P90 Soapbar

When you want to keep your P90 pickups but use them in another guitar.

This is a very simple switch, and great if you want to use your P90 pickups in a new guitar but need to change the covers and baseplates from a dogear style P90 to the alternative soapbar version. This can also work the other way around as well.

Creamery - Converting a P90 Dogear pickup to P90 Soapbar

Converting a P90 Dogear pickup to P90 Soapbar - Underneath

While essentially the same pickup, the Dogear style differs from the Soapbar version not only through the cover, but also the baseplate underneath. Whereas the Dogear pickup is attached to the body of the guitar through the two lugs “ears” either side of the pickup, the Soapbar is fixed to the guitar via two centre screws with foam pads and/or springs underneath the pickup for height adjustment.

Creamery Classic Handwound '53 P90 Soapbar Pickup

Creamery Classic Handwound '53 P90 Soapbar Pickup

As you can see from my Classic Handwound ’53 P90 Soapbar Pickup above, the two centre holes are utilised to attach the pickup to the body of the guitar. If you look at the Dogear style in the firs picture, you’ll see the lugs “ears” which are used to screw the pickup down.

Removing the P90 baseplate

Its as simple as removing the fixing screws and noting where & whether the ground wire and braided hookup wires are soldered to the existing baseplate.

Creamery - Converting a P90 Dogear Pickup to a P90 Soapbar style

Creamery - Converting a P90 Dogear Pickup to a P90 Soapbar style - Removing the baseplate

Usually attached with a couple of screws plus a film of wax from the potting process, the baseplate can be easily removed with very little danger of damage to the pickup coil.

A word of caution though, many P90 pickups will have a ground wire from the coil and the braided hookup wire soldered to the existing baseplate. Take a note of this and simply replicate the process with the new Soapbar style baseplate.

The new Soapbar style baseplate attaches in the same manner, screwed directly to the centre section of the coil bobbin.

Creamery - Converting a P90 Dogear Pickup to a P90 Soapbar style

Once the baseplate is attached, the new cover can be positioned over the coil and with a quick wax-potting to keep everything in place, the pickup is ready to be installed.

Converting a Dogear style P90 to a Soapbar can be a very simple way to re-use loved pickups even though you may want to change your guitar. The switch is just as simple the other way around. Of course, make sure the new cover has the same pole spacing as your existing pickups. A simple check with the ruler can confirm this.

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You can find more details of my handwound P90 pickups here, and for details of my custom pickup upgrades, repairs & rewinds, just head to the main site here

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Upgrading Stock Epiphone Casino Pickups

Upgrading the stock Casino pickups for a more vintage tone

Creamery - Upgrading Stock Epiphone Casino Pickups

Creamery - Upgrading Stock Epiphone Casino Pickups

I recently ran one of my regular competitions to wind a set of handwound pickups and the winner, Mike, asked whether he could have his Epiphone Casino pickups rewound/upgraded for a more vintage tone – “No problem”, I said.

The stock pickups had a very high output, 12.1k in the Bridge & 11.6k in the Neck, an unsubtle set especially for a Hollow Body guitar. Mike wanted to tone them down with a rewind and new magnets.

Creamery - Upgrading Stock Epiphone Casino Pickups

Upgrading Stock Epiphone Casino Pickups - What's inside

The first task was to remove the covers and see what’s inside. The Epiphone Casino has custom bobbins with a string spacing narrower than a standard P90. The option was to either make new bobbins to match the cover pole spacing or simply use the existing ones. Mike had no issue with me utilising the existing bobbins so the challenge now was to remove the existing overwound coil wire in such a way as to not nick the sides. Any cuts or scratches to the very thin top & bottom layers of the bobbins could catch on the new coil wire when winding, snapping or pulling it leaving a few thousand turns of coil useless.

Upgrading Stock Epiphone Casino Pickups - Rewinding the coils

Upgrading Stock Epiphone Casino Pickups - Rewinding the coils

Whereas the stock Casino Pickups had a high output, probably due to the thinner 43AWG used (perhaps by mistake), Mike wanted a more vintage tone with a lower output set. I re-wound the coils to a more manageable 7.9k in the Bridge & 7.2k in the Neck which when coupled with my custom made Alnico 5 magnets, would give Mike the brighter P90 tone he was after.

Upgrading Stock Epiphone Casino Pickups - New Coils, New Magnets

Upgrading Stock Epiphone Casino Pickups - New Coils, New Magnets

With the new coils wound, the new magnets in place attracted to the pole screws underneath, the pickups were ready to be rebuilt and wax-potted. To stop any unwanted microphonics, I always securely fix the magnets to the underside of the bobbins and wax pot the pickups with a mix of 70/30 ratio paraffin & beeswax. Beeswax isn’t always used in wax-potting – I recommend it though as it makes the wax less brittle and therefore less susceptible to cracking which could, in some instances, damage the delicate 42AWG coil wire.

Upgrading Stock Epiphone Casino Pickups for a more vintage tone

Upgrading Stock Epiphone Casino Pickups for a more vintage tone

After cleaning off the waxy residue and a quick polish & test with the multimeter, the pickups were ready to be hooked-up to my test guitar just to make sure they were ready to send back to Mike. He received them, wired them back into his Casino guitar and sent me an email back:

Great stuff. Thanks so much!! They’re a massive improvement! I’m not generally a P90 guy, but they sound fantastic. That syrupy Another Brick in the Wall solo tone is just right there.. :D

- Mike Riddle

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You can see my custom handwound P90 Pickup range here – and if you have pickups in need of a pickup rewind or repair, just contact me through the site.

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Reissue Wide Range/Thinline Tele Humbucker Upgrade

Upgrading the modern Fender® reissue Wide Range Tele Humbuckers to vintage spec

Creamery Wide Range Thinline Tele Humbucker Reissue Pickup Upgrade Comparison

You can find more details of my modern, vintage Wide Range Humbucker pickups & upgrades on the main site. Below is a blog post on the actual upgrade of both a modern & older Japanese Fender® reissue Wide Range Humbucker.

Old vs New

As you can see from the picture, the modern Wide Range / Thinline Humbucker Reissues are simply standard Humbucker sized coils encased in wax to fit the larger Wide Range Cover. As with standard Humbuckers they feature a bar magnet underneath, the difference being the use of threaded slugs to mimic the threaded magnets of the original late ’60s-70s pickups. Having a bar magnet underneath the slugs means these pickups will have a different voice to the clarity, definition and fat brighter tone associated with the original, vintage versions.

Creamery Wide Range Thinline Tele Humbucker Upgrade Japanese Reissue

Original Fender® reissue Wide Range Humbucker - Inside

Removing the cover

Using a sharp blade I carefully slice through the old solder. Rather than desoldering, I cut through so later I can simply let the solder flow when reattaching the cover once the upgrade has been completed.

Creamery Wide Range Thinline Tele Humbucker Upgrade Reissue

Creamery Wide Range Thinline Tele Humbucker Upgrade Reissue

Original Fender® reissue Wide Range Humbucker - Inside

Inside its clear that the pickup is simply the standard humbucker design, and this accounts for the much darker tone. To achieve the output of the original Seth Lover ’70s pickups, Fender® overwind the coils on these modern Wide Range Humbuckers. The nature of overwinding pickups tend to create a darker pickup which when coupled with the bar magnet underneath can make these modern reissues difficult to brighten up and can often appear muddy in the neck position. A change of pots & caps can help but the tone would still be unlike the original.

The original design had 6 individual threaded pole magnets and a ferrous reflector plate (similar to the baseplate found on the underside of a Telecaster bridge pickup). This original design allowed a much higher output pickup that kept the clarity, string definition and higher frequencies.

Creamery Wide Range Thinline Tele Humbucker Upgrade Japanese Reissue

As you can see from the picture above, this particular reissue had 2 magnet pieces waxed together underneath the coils.

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New Custom Stratocaster Pickups

Introducing the Red ’79 Strat Pickup Set

Creamery Red '79 Handwound Stratocaster Pickup Set

Creamery Red '79 Handwound Stratocaster Pickup Set

Magnets: Alnico 5
Poles: Staggered or Flat
Coil Wire: 42AWG Plain Enamel
Lead Wire: Vintage Cloth Pushback
Bridge Output: 5.9k
Middle Output: 5.7k
Neck Output: 5.5k

Inspired by the New Wave/Post Punk era of the late ’70s & early ’80s, the Red ’79 Stratocaster Pickup has that brittle, bright attack associated with much of the music of that era. The lower in output, 42AWG coil wrapped around Custom Alnico 5 magnets gives you that cutting tone great with effects (a little phase, a little chorus ;-). As with the Telecaster Red ’79s, I settled on the final designs (after many versions) to create a pickup that has that bright, brittle tone without the ice-pick shrillness of thin, lower wound pickups. To achieve this the coil is wound slightly shorter with a looser scatterwound pattern to achieve the balance I was looking for.

Creamery Red '79 Handwound Strat Pickup

Creamery Red '79 Handwound Strat Pickup

With staggered magnets the tone is concentrated more around the D & G strings for a spikier attack whereas with the flat pole version the tone is rounded a little more as the tone is spread evenly through all strings.

NOTE: If Red really isn’t your thing you can always order it in White or Black vintage String as well (or standard Strat covers) ;-)

The Middle Pickup can be RW/RP for hum cancelling in positions 2 & 4.

You can buy a single Red ’79 Strat pickup or for a Bridge, Middle & Neck pickup as a complete Handwound Red ’79 Stratocaster pickup set here.

They look great on a jet black Strat ;-)

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New Custom Telecaster Pickups

Introducing the Red ’79 & the Alt ’88

Creamery Custom Red '79 Telecaster Bridge Pickup

Creamery Custom Red '79 Telecaster Bridge Pickup

The Red ’79 Telecaster Bridge Pickup

Magnets: Alnico 5
Poles: Staggered or Flat
Polarity: South Up
Coil Wire: 42AWG Plain Enamel
Lead Wire: Vintage Cloth Pushback
Output: 5.9k
Baseplate: Copper Plated Steel

Inspired by the New Wave/Post Punk era of the late ’70s & early ’80s, the Red ’79 Telecaster Bridge Pickup has that brittle, bright attack associated with much of the music of that era. The lower in output, 42AWG coil wrapped around Custom Alnico 5 magnets gives you that cutting tone great with effects (a little phase, a little chorus ;-). I settled on the final design (after many versions) to create a pickup that has that bright, brittle tone without the ice-pick shrillness of lower wound pickups. To achieve this the coil is wound slightly shorter with a looser scatterwound pattern to achieve the balance I was looking for.

With the staggered magnet the tone is concentrated more around the D & G strings for a spikier attack whereas with the flat pole version the tone is rounded a little more as the tone is spread evenly through all strings. There’s also the option to have the pickup without the Telecaster baseplate for more of a cutting stratocaster bridge tone.

If you’re looking for a set, the Red ’79 can be matched up with my Classic Telecaster Neck and I can custom wind them to create a great calibrated set. Just get in touch.

NOTE: If Red really isn’t your thing you can always order it in White or Black vintage String as well ;-) It does look good on a black guitar though.

A single Red ’79 Bridge Pickup can be purchased here.

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Creamery Alt '88 Custom Telecaster Pickup Set

Creamery Alt '88 Custom Telecaster Pickup Set

The Alt ’88 Overwound Telecaster Bridge Pickup Set

Magnets: Alnico 2 or 5
Poles: Flat
Polarity: South Up (North Up if RW/RP)
Coil Wire: 43AWG Plain Enamel
Lead Wire: Vintage Cloth Pushback
Output: 8.1k
Baseplate: Copper Plated Steel

Inspired by the alternative music scene of the mid-to-late ’80s this is my overwound take on the vintage Telecaster bridge pickup. The flat Alnico 2 polepieces are slightly warmer sounding than Alnico 5 but with the taller, stronger magnets, I’ve managed to keep the traditional tele twang and mix this with an aggressive, biting output, great for really driving an amp or running effects.

They’ve been a real labour of love these pickups and have gone through numerous changes to get them rght. A great Tele rhythm or lead pickup if you want more bite and a modern aggressive attack.

The Alt ’88 Telecaster Neck comes without cover to let more of the attack come through. It can also be RW/RP if required.

A single Alt ’88 Telecaster Bridge or Neck pickup can be purchased here, or if you’re after a set, follow the link here

You can find more details of my custom Telecaster Pickups on the main site here

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Creamery “Extra Width” Fatter Strat Bridge Pickup

Creamery Extra Width Fatter Stratocaster Strat Bridge Pickup

Creamery Extra Width Fatter Strat Bridge Pickup

A rounder, fatter tone for bridge position Stratocasters

I’ve always been in two minds about the Strat bridge position. Unlike the Tele with its copper plated steel baseplate, the strat bridge position can sound bright, very bright in fact – and some would say too bright (especially in those 70s CBS era strats where corners were cut even on the use of coil wire).

I didn’t want to go down the root of fixing a tele style baseplate to the flatwork of the strat pickup, nor did I want to fatten up the tone by a high level of overwinding as that would give a higher output. I wanted to keep the essential characteristics of the pickup but just warm it up somehow, making it more pleasant on the ear.

The thing about pickup makers (like myself) is that they can obsess over the simplest of things and warming up the Strat bridge became one such obsession.

I tried a number of things but in the end decided on individual circular copper baseplates directly attached to the underside of each pole magnet to slightly shift the resonances towards the lows a little, which along with the flat stagger Alnico 2 rod magnets help to give the new pickup the warmth I was after.

I called it the “Extra Width” and designed a Strat set of middle & neck to compliment it. You can find the full details & spec below.

Here’s how it sounds, wonderfully played by Session Guitarist James Deane through a Fender® Hot Rod Deluxe – Let me know what you think.

Click to Play:

Extra Width Fatter Tone Stratocaster Bridge Pickup

… and this is what James had to say about it:

“The Extra-Width Bridge pickup sounds fantastic; crystal clear yet without the ‘ice-pick’ treble of the pick-up I was replacing. I really like the fact it responds to my playing and it comes to life with a bit of overdrive. Thanks very much for making my guitar warmer and clearer.”

- James Deane, professional Session Guitarist, Producer & Engineer

“Extra Width” Stratocaster Pickup Set

A great Stratocaster pickup if you want to balance the early ’60s strat tone with a more blusier feel.

Magnets: Alnico 2
Poles: Flat
Coil Wire: 42AWG
Lead Wire: Vintage Cloth Pushback
Bridge Output: 6.8k
Middle Output: 6.3k
Neck Output: 6.1k

A flat-pole hotter-wound Stratocaster pickup for a fatter twist on the classic Strat tone. Still with snappy highs, a fatter mid-range with rounded bass. Scatter wound with wax potted coils and flat Alnico 2 magnets. Higher output. Vintage style cloth covered lead wire.

The Bridge pickup has individual copper baseplates under each pole to slightly shift the resonances toward the lows which combined with the hotter wind, helps to create a warmer bridge tone.

The Middle Strat Pickup can be RWRP for hum cancelling in positions 2 & 4.

You can find more details of this and my other handwound Stratocaster Pickups on the main site – The direct link to the ordering page is here for a single pickup, or set of bridge, middle & neck

Thanks for reading.

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“How come my strat doesn’t sound like a strat?”

Creamery '64 Strat Pickup Handwound Stratocaster Guitar Pickup

The Creamery '64 Stratocaster Guitar Pickup

Often people ask what’s the difference between the pickups on say a Mid-Level Strat against an American Standard or indeed, any other higher model guitar or pickup manufacturer – or put it another way, how come my strat doesn’t sound like a strat?

A guitar’s tone comes from many things – your fingers, good wood, good electrics, a good fret job & set-up etc etc etc. With this in mind though, the role pickups play is an important one.

There are a myriad of strat copies available, some great, some not so good. One thing many of them have in common though is the bar magnet pickup.

Squier Strat pickup

Pickup taken from a mid-level Strat copy

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Filtertron Style Humbuckers “Swing-O’s”

Humbucker sized Filtertrons from The Creamery

Humbucker sized Filtertrons -  "Swing-O's"

After looking at modern variants of the old Filtertron style pickups, and wanting something a little ‘brighter’ I came up with these – introducing the ‘Swing-O’ – Humbucker sized Filtertron style pickups. A reduced number of offset winds on each coil provide the extra brightness. The Alnico 5 magnets help keep the attack but being stronger due to their 1/4″ height, the magnet boosts the output of the lower windings on each coil to give great volume & brightness. A real spank & twang to these Humbucker sized Filtertrons. The H-gate chrome covers give that ‘retro’ look.

Give a listen to the quick audio files:

Humbucker sized Filtertrons – Bridge

Creamery “Swing-O” Humbucker sized Filtertrons – Bridge v1
Creamery “Swing-O” Humbucker sized Filtertrons – Bridge v2

Humbucker sized Filtertrons – Middle

Creamery “Swing-O” Humbucker sized Filtertronss – Bridge / Neck v1
Creamery “Swing-O” Humbucker sized Filtertrons – Bridge / Neck v2

Humbucker sized Filtertrons – Neck

Creamery “Swing-O” Humbucker sized Filtertrons – Neck v1
Creamery “Swing-O” Humbucker sized Filtertrons – Neck v2

Prices are £65 for a single Humbucker sized Filtertron Bridge or Neck pickup and £120 for the set – details here

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P90 Sized Humbucker Pickups

P90 Sized Humbucker Pickups from The Creamery

Creamery P90 Sized Humbucker Pickups

Creamery P90 Sized Humbucker Pickups

A true 12-pole humbucker in a P90 cover

No modifications required to your guitar. These new P90 sized Humbuckers even look like a P90.

Pole Magnets: Alnico 2 or 5
Coil Wire: 43AWG Plain Enamel
Lead Wire: Vintage Cloth Pushback or Braided
P90 sized Humbucker Bridge: 9.4k
P90 sized Humbucker Neck: 8.5k

A 12-pole humbucker pickup inside a P90 that requires no modifications to your guitar at all. My P90 sized Humbuckers even look like a P90 – Once installed, no-one will spot the difference until you plug in and play.

Great string definition & clarity due to the 12 pole magnets. More of a crunchy tone than the fat single coil voice of my classic P90, these new P90 sized Humbuckers give a rich, biting attack.

All the depth of a humbucker with the sparkle and bloom of a doubled-up single coil. The two, thin 43awg coils help to keep the clarity at higher output while the tone has a sweetness by design of the pickup.

For more details on the new P90 sized Humbuckers – Head to the main site here

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